The legend of Rahere, the
minstrel who founded a church and a hospital, has been celebrated -- and exaggerated! -- by poets and
playwrights for centuries. Rahere, the canon who founded St.
Bartholomew's, is harder to find. The primary source of biographical
information on the life of the founder is the
Book of the Foundation. This document was written within decades of Rahere's death, based on the recollections of men who had known Rahere in life:
But of what kind he was
before and in what order he laid the foundations of this most holy
Temple, let us show in a few words as they testified to us who saw him
and took part in his works and conversations, of whom some have fallen
asleep in Christ, some are alive to this day and are witnesses of those
things we are about to relate.
Rahere appears, at least circumstantially, in two other historical documents.
Diana Greenway's
Fasti Ecclesiae Anglicanae
1066-1300: v. 1 (St. Paul's, London) lists "Raherius" as the holder of the Chamberlain's Wood prebend at St.
Paul's from approximately 1115 to 1143. Her information is taken from
Hutton's transcript, British Museum, Harley MS. 6956 folios 91-96r, of
a now lost thirteenth-century catalogue; and from
an
early fourteenth-century catalogue, St. Paul's Liber C, WD 2 fos.
110/117r-112/119r. We have no way of guaranteeing that "Raherius" is
our Rahere, but the association is strengthened by the fact that the
next holder of the prebend was Geoffrey Constable, who is likely to be the
Gaufridus Cunestable listed as a witness in Henry I's charter.
If this is correct, then Rahere maintained his prebend until he died,
throughout the time during which he founded and managed St.
Bartholomew's Priory and Hospital.
Chamberlain's Wood was part of the manor of Willesden, held by the
canons of St. Paul since the time of the Domesday Book according to
James Thorne's Handbook to the Environs of London [London: John Murray, Albemarle Street), 1876, pg. 697]. The
manor was divided and assigned to specific prebends some time in the
11th century. Chamberlain's Wood was somewhere in the southern and
eastern part of the parish.
A prebend is
a source of financial support for a canon in a cathedral chapter,
commonly a manor or rectory from which income was derived. The
recipient of such a benefice is called a prebendary, and was required
to participate in the daily services of the cathedral, either in person
or through the appointment of a "vicar choral," who could sing the
appropriate parts of the daily services. Reverend Edward Cutts, in his "
Parish Priests and Their People in the Middle Ages in England" [(London: Society for Promoting Christian Knowledge), 1898] describes a prebendary's primary responsibility:
One of the statutory
duties of the prebendaries is very little known, and is so curious and
interesting as to deserve mention here, even though it requires a few
words of preface to make the spirit of it quite intelligible. Among
other remarkable designs which entered into pious minds in those
mediaeval communities was that of maintaining a ceaseless service of
praise -- laus perennis -- or
a daily recitation of the whole Psalter. The former was a conventual
devotion, and was done in this way: there were always two priests
before the altar, night and day, relieved at regular intervals, singing
the Psalms. The latter was a cathedral devotion, where it was a rule
that the dean and prebendaries as a body should say the whole Psalter
every day to the glory of God. The same devotion was maintained at
Salisbury, Wells and St. Paul's. The task was not a hard one, for the
Psalter was divided among them; one prebend said the first, second,
third, fourth Psalms, another the fifth, sixth, seventh, and so on; the
119th Psalm was divided between several of them; each made it a matter
of conscience to say the Psalms alloted to him; and thus, from the time
of Bishop St. Hugh, the prebendaries of Lincoln, wherever they were
scattered, were brought together in spirit by this interesting
observance, and said the whole Psalter daily to the glory of God.
Moore's The Church of St. Bartholomew the Great, West Smithfield: Its Foundation, Present Condition, and Funeral Monuments [(London: Adlard and Son), 1894] provides the details of Rahere's prebend:
He
was an ecclesiastic, and filled the stall of Chamberlayne's Wood, in
St. Paul's Cathedral. His stall was the sixth on the north side of the
choir, and his portion of the whole psalter, repeated daily by the
Chapter, began with the words "It is a good thing to give thanks unto
the Lord, and to sing praises unto Thy name, O Most Highest." Every day
he repeated the ninety-second and following Psalms to the end of the
ninety-eighth.
Rahere was
suffficiently well-educated to manage his portions of the daily
service, and was probably in holy orders in order to receive the income
granted by his prebend.
Rahere's second appearance comes from the Historical Gazetteer of London before the Great Fire, which documents "detailed property histories for five parishes in the central Cheapside
area of London, from the 12th to the late 17th century. It includes
accounts of the parish churches, and information about the people and
buildings associated with the properties." The thirteenth century record for the property
St. Martin Pomary 95/3,
which extended from Ironmonger Lane on the east to St. Lawrence Lane on
the west, states that 2 shillings were due for rental of part of this
property to "
Raerus
de sancto Bartholomew," who is almost certainly "our" Prior Rahere.
Unfortunately the British History Online article does not include a
more specific date for this rental, although it notes that Rahere died
in 1144. This location is close to the site of the now lost churches of
St. Martin Pomery and St. Olave.
Ironmonger Lane as it currently appears |
 |
 |
St. Olave's garden, perhaps the location of Rahere's property |
InThe Oldest Church in London, as well as in the biography of Rahere that he wrote for the Dictionary of National Biography, Dr.
Norman Moore cites unspecified French charters as evidence that Rahere
was originally from the Duchy of Maine, and may have travelled to
England in the company of Richard de Belmeis, later Bishop of London.
His name, which is probably of Frankish origin, occurs as
that of a witness in serveral charters of the district on the eastern
boundary of Brittany, and the fact that Rahere was a follower of
Richard de Belmeis (d. 1128) [q.v.] makes it possible that he came from
La Perche. He first appears as a frequenter of the dissolute court of
William Rufus (ORD. VIT. pt. iii. bk. xc. p. 2: Liber Fundacinis c.s)
and adopted the church as a career. His patron, Richard de Belmeis,
became bishop of London in 1108, and the bishop's nephew, William, dean
of St. Paul's in 1111, so that the occurrence of his name as a
prebendary of St. Paul's, in the stall of Chamberleyneswode (Le Neve,
ii. 374) is easily understood.
However The Origin of Some Anglo-Norman Families (Baltimore:
Genealogical Publishing Company), 1975 states that Richard de Belmeis
was from Beaumais-sur-Dive, in Calvados, Normandy; nowhere near La
Perche, which is in the Limousin. There is no reference to William
Rufus (who reigned from 1087 to 1100; see BBC - Historic Figures - William II (Rufus) for a brief biography) in the English translation of the Book of the Foundation.
Without more information on Moore's sources, it is hard to evaluate the
reliability of his guess at Rahere's origins, or his association with
the court of William Rufus.
All we can say for certain is that by 1114, Rahere was old enough --
and sufficiently well-educated -- to hold the Chamberlain's Wood prebend;
that he was known in the court of Henry I (based on the evidence of
charters to the church and hospital); and that he died in 1144.
Whatever Rahere's background and level of education, the
Book of the Foundation informs us that Rahere was sufficiently well-spoken to be received in the court:
THIS man, sprung of humble lineage, when he reached the flower of youth
began to haunt the household of nobles and the palaces of princes.
Sewing pillows upon all elbows (Ezek. xiii. 18), he drew to friendship
with himself those whom he had soothed with jokes and flatterings. And,
not content with this, he approached the king's palace with some
frequency and resorted to the tumults of that tumultuous court and with
jocular flattery desired to attract to himself with ease the hearts of
many. There he made it his business all day long to attend spectacles,
banquets, jests and the rest of the trifles of the court, and, with
shameless face betaking himself to the suite -- now of the king, now of
the nobles -- he assiduously employed a complaisance that should please
them and obtain with greater ease anything that it pleased him to seek.
By these means he was well known to, intimate with, and a comrade of
the king and of the great men of the court.
Ezekiel 13:18 states "And say, Thus saith the Lord GOD; Woe to the
women that sew pillows to
all armholes, and make kerchiefs upon the head of every stature to hunt
souls! Will ye hunt the souls of my people, and will ye save the souls
alive that come unto you?" in the King James translation of the Old
Testament. In the New International Translation, the verse says "'This
is what the Sovereign LORD says: Woe to the women who sew magic
charms on all their wrists and make veils of various lengths for their
heads in order to ensnare people. Will you ensnare the lives of my
people but preserve your own?" Presumably the author of the
Book of the Foundation is emphasizing Rahere's ability to act the perfect courtier: witty, charming, self-effacing, and entertaining.